Showing posts with label culture. Show all posts
Showing posts with label culture. Show all posts

12 January 2016

Selected Articles From PAX Quarterly Magazine


The Sound of Sanctity*

     My neighbourhood is noisy, located as it is on a busy artery in downtown Vancouver, with its almost constant traffic, rants, fights, sirens and shrieking gulls.  Still, my home is comfortable and attractive and my neighbours are simply engaged in ordinary living under extraordinary circumstances.  But there is one notable sound that lingers purposefully and contemplatively, and it is made by the bell in the tower of St. James' Anglican Church at Gore Avenue and East Cordova Street.  Three times daily I have the opportunity to pause and listen with an open heart.  I am transfixed and yet mindful as the traffic sounds fall away and random dysfunction ceases momentarily.  Of course the scene at hand soon returns to "normal", but there is always another ringing promised, another respite.

  
      The bells were given to the church by the Reverend Fr. Robert Grange Harker -- Fifth Rector of St. James' from 1920-21-- twelve years after his return to England.  He was instrumental in the long-distance planning, financing, designing and building of the third church of St. James' (with the determined interest of the indomitable Reverend Canon Fr. Wilberforce Cooper who managed and drove the project on site).  By securing both the services of talented architect Adrian Gilbert Scott, and the matching funds necessary for the construction of the building, their vision was realized by 1935 although it would take another ten years to complete the work fully.  Fr. Harker's gift of the bells was meant to be anonymous, but it was a poorly kept secret.  He was said to be delighted with the inscription written by Fr. Whitehead and concealed on the small treble bell, very much like the medieval custom of punning inscriptions.  It reads: GOD BLESS THE MUSIC OF THESE BELLS AND TREBLY BLESS THE HARKER.
    

 Bells have been associated with religious rituals since the early Middle Ages in Northern Europe where the earliest bell-founders were probably monks.  Foundries have since sprung up wherever the founders have lived, and one of the oldest surviving sites is Taylor's of Loughborough in Leicestershire, England.  Here the bells of St. James' were cast in 1936, shipped through the Panama Canal and arrived at the Ballantyne Pier in November of 1937.  It was stipulated that, once installed, the bells could not be rung until the bills were paid and the bells were installed in time for a 1937 Christmas Eve ringing.
     

Fr. Harker believed that it would be difficult to find adequate bell-ringers on these "remote" shores, so he had the eight bells made into an instrument called a chime.  The 42-hundredweight ring of eight is set into an iron framework box, each bell equipped with a clapper attached to a wire cable which in turn runs down a rope and pulley system to the console in the corridor behind the high altar.  It has a diatonic scale from C to C with inner tuning that allows for fully harmonized music.  Our console specialists, Lesley and David Evans, have written that "although this ring of bells cannot be 'rung' in the true sense (that is by circle ringing), they can be played by a carilloneur, by a roll mechanism or by playing the eight white notes on the 'piano' keyboard."


   The sound I hear daily is of the largest bell, the covering C, the tenor, weighing over 2,000 kg and with a diameter of 60.5 inches.  It has an extra clapper attached to a rope that leads down to the church where it is rung for Angelus, Sanctus and tolled for the death and last departure of parishioners (possibly the last church in Vancouver to do so).  Its inscription reads SOUND SOUND THE GLORIOUS GOSPEL TO THE PRAISE OF GOD AND TO THE HONOUR OF ALL WHOSE WORDS AND DEEDS PROCLAIMED IT IN THESE PARTS 1881-1936.  It offers the sound of sanctity to this neighbourhood and gives me solace amidst the frequent chaos.


      Editor's note:  The console referred to above has recently been removed for restoration and repair -- at substantial cost, which is being partially borne by one anonymous donor, with the hope that others will offer help.  The bells and clappers in the tower are also being refurbished -- obviously in situ.


* PAX: No. 16 Michaelmas 2012
 
       

23 December 2015

Selected Articles From PAX Quarterly Magazine



Dickens and Christmas*

     St. James' Victorian roots are splendidly evident at this time of the year with its Advent activities, greenery, music and especial focus on children; and yet we need to be planted in a goodwill beyond our immediate gaze and needs.  A recent re-reading of A Christmas Carol by Charles Dickens brought to mind the very people in our parish that our Bidding Prayer asks us to remember.
     Dickens is often blamed for inventing the material aspects of Christmas that hamper the season to ever elevated degrees.  But he was not working in a vacuum, and there were other forces contributing to the veritable saving of the Christmas festival which had been mostly diminished to one day out of a long year.  It was his understanding of spirituality and morality as dual participants in the older traditions alongside the re-imaging of holiday customs that made a lasting impact.  Together they included family, church, and charity, childhood memories and cultural nostalgia.  His sentiments as portrayed in A Christmas Carol contributed to the cultural tapestry we have all inherited and embraced.


     By 1840 and with a new young queen on the throne, Great Britain was at a confident stage of empire building and indirectly ruled the world through economic influence and control of the sea.  There were also numerous liberal movements gaining a foothold in the public imagination, including parliamentary reform, free trade, collective bargaining, Catholic emancipation, the Oxford Movement, abolishment of slavery, restraints on child labour and local government and postal reforms as well as developments in science, medicine, exploration, and the railroad.   
     A Christmas Carol is essentially a spiritual fairy tale about the value and joy of giving.  It was written alongside Martin Chuzzlewit and published in December 1843 primarily, if ironically, because Dickens needed to make money in order to support his growing family and tangle of extended relations.  It was an instant success although not as profitable initially as planned due to its high quality at a reasonable price.  Within ten years he was giving lectures and readings, which often included his best-loved Christmas tale, all of them very much associated with his philanthropic activities and his belief that literature could advocate for the betterment of all.


     Dickens remains an intercessor between an industrial, material, and increasingly secular time and the humanity that he wanted to uplift.  The focus on children and charity is especially and obviously reflective of Christ's continued presence in the season.  Every year his tale seeks to re-invigorate and maintain an important sacred and secular event.  His contributions to what we know as Christmas are now well established, and, in the words of G. K. Chesterton, we can note that "whether the Christmas visions would or would not convert Scrooge, they convert us."


     In his own words Dickens tells us that with regard to the rehabilitated miser, "He knew how to keep Christmas well."  The portrayal is effective because it is so visceral.  Christ is present within the redemptive power of kindness and charity -- that is the author's emphasis.  As a literary journalist, social reformer, and moralist, Dickens bids us not for just one day, but for all the days of the year.

No. 7373 - 20 Dec 2013 - 09:05:58



 * PAX: No. 28, Christmas © 2015
 

01 April 2011

Poisson D'Avril

No. 7064 - 01 Apr 2011 - 11:30:12

01 March 2011

Golden Boy

No. 5761 - 25 Feb 2011 - 17:34:51


No. 4714 - 04 Feb 2011 - 17:10:29 * No. 5041 - 07 Feb 2011 - 08:13:09

Poised atop the dome of the Legislative Building, seat of the Manitoba
provincial government, the boy is a Winnipeg icon sculpted by parisien Charles Gardet and cast in 1918 by the Barbidienne foundry in France.

11 February 2011

Red Alert

No. 5012 - 06 Feb 2011 - 14:38:34

A fine cultural entity, Winnipeg Art Gallery, in the vicinity
of Portage and Osbourne.

04 November 2010

Man Behind The Mask

No. 4947 - 02 Sept 2010 - 17:39:55

Blake Hiebert incognito: gifted artist, ceramicist, and instructor at The Gathering Place, 609 Helmcken Street. His work can be found at the Vancouver Art Gallery and Museum of Anthropology gift shops.

31 October 2010

Happy Halloween

No. 4669 - 31 October 2007 - 11:11:09
The Big Picture
Storefront on Main Street, Vancouver

31 October 1986
The Little Picture
Greenwich Village Halloween Parade, New York City
Camilla, Sally, Julius, and Raken

25 September 2010

Public Dreams Society 25th Anniversary Gala



24 Sept 2010

The Society is 25 years old and so are many of the attendees which speaks eloquently of the on-going appeal of this volunteer driven organization. Monies raised are going toward the production of the anticipated Parade of Lost Souls, October 31, 2010, on Commercial Drive in Grandview.

20 August 2010

Volunteers


No. 0180 - 15 Aug 2010 - 19:00:55 * No. 0187 - 15 Aug 2010 - 19:01:39

19 August 2010